Showing posts with label eyepatch. Show all posts
Showing posts with label eyepatch. Show all posts

Monday, February 28, 2011

Delphine

Delphine // La Femme Naufrage // Lady Shipwreck
30" x 40" (inches) oil & gold leaf on wood panel. 


So. While creating these wild-eyed nautical girls, I've been weaving this sort of vague backstory for them; how they're lives are interwoven, how they're connected, how they abhor and adore each-other. I originally was setting Delphine up to be a motherly figure to Ophelia and Aveline, but while the piece grew and developed, that path started to feel forced. I have several other images brewing in my mind, all tied in with their story line, and I started playing with the idea of all of them being sisters. I'm intrigued by the Greek myth of the constellation Pleiades, or the Seven Sisters, and decided to do a series loosely based around it.
So here we have Delphine, number three in my series The Seven Sisters.

 
The model for Delphine is my best friend Morgan of Whiteflowers. She wrote a beautiful song in collaboration, which I would love to share with you while you're visiting.

   Nautica [Delphine] by Whiteflowers



Here are some bits about my process for this piece.


As some of you know, a large portion of my creative process is the conceptualizing stage. This stage is really where the piece is really created, where I take a mental image and start drawing & combining elements together in Photoshop until I "find" it. Here is my "sketch" for Delphine. Naturally things change along the way, but I generally have the piece 90% planned out before I start painting. Of course I count on mistakes and bumps along the way to further shape the work.
I've become so comfortable working this way that I think it would be difficult to make up a painting on the spot. I know I would produce a completely different body of work if I was more spontaneous about it, which I'd like to explore more in the future. However, I do take my paintings very seriously, as they are a commitment, both time-wise & emotionally, so I suppose I save the spontaneity for my drawings and conceptualizing (for now).

 
So. I haven't played around with gold leaf much, so this was a fun experiment. I just sort of made up the process as I went along. I've recently fallen in love with Klimt and love the way he uses gold in his paintings, so I decided to try my hand at it.
After sketching out the figure, I stained the triangle portion black before applying the gold leaf, so bits of black would show through the cracks.

 I definitely busted out the hairdryer at one point. I'm not really a fan of the "waiting for the paint to dry" game. (I consider myself a patient girl, but sometimes you just want to keep going with a project, especially when feeling inspired and gung-ho. Paint drying times can seriously disrupt my flow!!) Okay. So. Hairdryer. Yes. Then comes the leafing. Which is oddly relaxing. I didn't want the gold to be perfect, which is really hard to achieve anyway.

But seriously guys, gold leaf is so pretty in person!! Photos just don't do it justice. There are these really delicate and lovely cracks in the leaf which look beautiful with the black behind it, which you can't really see in the main picture. Also, she looks super weird at this stage. Before I start painting, I like to erase all the extra pencil marks from sketching the figure, otherwise the graphite can muddy up the paint. So all that's left when I start painting are the outlines of the face, etc.


The rest is just clockwork and takes time - applying layers upon layers of paint, until I'm happy with it.

Early stages of the tattoos.



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Well that's enough for now. Got a Jackie Kennedy painting I've gotta finish for a fun upcoming Warhol-themed show! Pics soon!
Also thanks to those who came out for my show the other night, it was fun times!

And Thank you for all the birthday love. You're the best.
xxx

Monday, January 24, 2011

Lady Shipwreck, work in progress


Here's some previews of the piece I started the other day. My best friend Morgan is the model, as part of a collaboration. She wrote a beautiful song to go along with this, which I will share with you soon. I still have a lot of fine tuning to do on everything, as well as draw the tattoos and shipwrecks in her hair. But let me tell you, gold leaf is SO MUCH FUNNNNN. It's super shiny and pretty and half the time I just end up staring it.
 It's looking very Klimt-y to me, guess gold leaf will do that ;)

and uhhh, here I am hanging out with her. looking tuff.
more soooon. but right now I'm redecorating my apartment and there is stuff EVERYWHEREEEEE. I'm not sure when I started spending more money on housewares than shoes, but it makes me feel really old.

Also, I just listed a bunch of new prints in my shop, including Aveline and some of my new silhouettes. Like these lil darlings:
go take a peek
xx
C

Wednesday, September 22, 2010

Ophelia / Boat Shoulders


40" x 40" oil & ink on birch panel


Ophelia. Name derived from Greek οφελος (ophelos) meaning "help". Her name also belongs to Hamlet's lover who eventually went insane and drowned herself. However, the similarities end there; this Ophelia will not meet the same fate as Hamlet's lover. The sea dare not drown her, she's one who would drown the sea. She posed for me once. Phantom trade winds made her hair dance gently around her eyes, caressing the sails on the boats that rest delicately on her shoulders. The air cooled as it passed over her skin, carrying aromas of salt sweetened by the sea flowers that grow in her wake. Perhaps she would suffocate without these ghostly sea winds, without the salty air to sustain her. 
Then there are her eyes. Those two left eyes. Oh, how they hardly blinked, how one remained locked upon my gaze. Her delicate tattoos serve as a futile warning, if you can read them, you are already too close. 
She grew impatient and I could feel the unease in her, how the earth felt unstable beneath her feet. Some would call her a prisoner to the sea, though a wiser man would know the sea as her prisoner.   





As usual, I first primed the exposed wood with GAC 100, did about three coats this time. I prefer to paint directly on to the wood, as it makes blending colors easier, but having the outside portions primed makes it forgiving should any unwanted paint get on the wood (living with a kitten is sometimes dangerous). Detail was done in various colors of ink.

 Tattoos drawn with black watercolor pencil. 


Translated:
"Ad infinitum"(Latin) 
"to infinity without end"
 -
"y de que nadie oyera las canciones de navegantes que a veces cantaba bajo las estrellas"
"and that no one should hear the songs that sailors sometimes sang beneath the stars"
From Gabriel García Márquez's short story Un Señor Muy Viejo Cona Alas Enormes (An Old Man With Enourmous Wings) 
(Thanks to my lovely Morgita for her vast knowledge of romantic poetry)


 

above is the framed drawing of the original "Boat Shoulders". The blueprints for this piece. 
 
 
messy tubes of oil paint, little bottles of oil medium and a box of hooks, nails and screws.


Hope you like her, she'll be on exhibit in January for my solo show at Vessel. 
Prints coming soon.


xoxo
C

Monday, September 13, 2010

Boat Shoulders painting - Work in Progress

Well hello Monday, meet Ophelia.
Here she is, halfway there. I'm hoping to finish her this week. And fast, because she's getting impatient. She feels naked without her boats and tattoos. Is she staring at you too? Cause she won't stop staring at me.


  
It all started the other night when Joe and I were playing silly games on our iphones. One minute we were playing Trivial Pursuit and then I sort of saw this painting in my mind, the painted version of my drawing Boat Shoulders. I saw it much differently in my head than how it's turning out, but that's how it is. You see an image, then it flits away as quickly as it arrived. I'm left with a memory that I begin to form and shape in to a painting. I never really considered my drawings to be conceptual versions of paintings, but perhaps they are beginning to be. Anyway, I have this strange love for the nautical world and I think it is rapidly becoming a common theme / direction my work is taking. 




Here she is at an earlier stage (Friday).
I seriously can't handle how beautiful this wood is. When the light hits it just right it seems to glow.  

❤,
c


Sunday, March 7, 2010

Boat Shoulders

She's TUFF. And you can buy her here.
India ink and Micon pens on brisol vellum paper.
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Thanks for the drawing suggestions yesterday, check back for some more birds, sea animals, zebras and ponies ;)

P.S. What's a pirates favorite fruit?
(Okay, so I have a really dumb answer for this one. Let's hear your pirate jokes!)